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NOTE: Video embedded for aesthetic purposes only

If you didn’t read part one, that’s fine — so long as you keep the following in mind:

I believe that what we see in [Game of Thrones] (…) is a sort of quasi “first principle” on which much else is made to rest.

Broadly, this is the movement — construed as progress — from the sacred to the secular, from religion to reason, from other-worldly to this-worldly concerns.

Let’s take a look at G.O.T.’s exact trajectory vis-a-vis religion, history, and the secular.

First, we have the Long Night. Continue Reading »

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Yes, I know — I took way too long.

I did have a (very) rough draft written, which I soon found was no good.

I basically went with a premise similar to that of Ross Douthat — namely, that the way G.O.T. ended constitutes a missed opportunity.

Rather than using the fantasy genre as a way of appropriately unnerving people and casting a gleam of wonder on their perception of the world, it errs on the side of “getting it over with” so as to get back to what seems overly dominating of people’s interests and concerns: Politics.

On second examination I came to question that a little bit. Continue Reading »

Okay — so in part one we made a comparison between Game of Thrones‘ Petyr “Littlefinger” Baelish and the wife from the Brothers Grimm’s “The Fisherman and His Wife.”

Whichever character you’re looking at, the trajectory is essentially the same. Continue Reading »

I remember some buzz being generated a few years ago about the amount of action in Game of Thrones that could be traced back to Petyr “Littlefinger” Baelish (Aiden Gillen).  Were I pressed to venture a guess, I would probably put that amount at about 95%.

Two or three of Littlefinger’s actions in Season One produced major domino effects, but even more Continue Reading »

Just watched this.  Enjoy!

So Game of Thrones is over.

As a cultural phenomenon it will, I’m sure, endure indefinitely.  But the world no longer watches as the story unfolds.

I must confess my chagrin, as a devout Catholic, over an apparent dearth in Catholic voices conversant with G.O.T.  Most of what little Continue Reading »

I must confess to not being well versed in George Tillman, Jr.’s filmography.  Up until just a couple weeks ago I had seen only one of his films, and I remember being, at best, mildly impressed.

The Hate U Give, Tillman’s adaptation of Angie Thomas’ 2017 Young Adult novel, has managed to generate some decent buzz — even if, like many worthy films, it enjoyed little or no presence at the awards ceremonies.

The film appears, at first glance, to follow two parallel story lines linked only Continue Reading »