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Archive for the ‘Fairy Tales’ Category

For part one, click here.

From the observations I made (more…)

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This is an updated version of an article I posted four years ago, in the midst of an El Niño December.  Mother Nature has decidedly “cooled off” this year, but I doubt whether the debate over Santa Claus has followed suit.

Let’s get right to it: Can Christians claim Santa as their own, as being (more…)

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I remember some buzz being generated a few years ago about the amount of action in Game of Thrones that could be traced back to Petyr “Littlefinger” Baelish (Aiden Gillen).  Were I pressed to venture a guess, I would probably put that amount at about 95%.

Two or three of Littlefinger’s actions in Season One produced major domino effects, but even more (more…)

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This is something I published over a year ago on my now defunct autism website, Forming HorizonsDavid Snape was kind enough to reblog it shortly after, giving it greater exposure than it would otherwise have enjoyed.

Here it is now, edited and trimmed a bit, for my Into the Dance readership: (more…)

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MerryOldSantaThe debate about Santa Claus is almost as heated as this ridiculous El Niño December we’re having in the Northeast U.S (sorry warm weather lovers, but I’m old school — I like my snow for Christmas).  And while there is nothing I can do about the weather, I think I can help shed some light on the Santa question. (more…)

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For parts one through three, click here

Remember the “name game” we played in Part 2?  Well, I’ll ask you to grant me just a little further indulgence in this.

frozen_anna_gray_hairI said that the name Elsa was a variant of Elizabeth, hence a connection with St. Elizabeth.  Well, Anna, as I also mentioned, is a variant of the name Hannah.  Hannah, in the Old Testament, is the mother of the prophet Samuel.  As a young woman, her situation is almost identical with that of St. Elizabeth.  Both suffer from barrenness.

But, as with Elizabeth, Hannah is graciously granted a child.

Hence Hannah and Elizabeth are in parallel circumstances in the Bible.  So, in fact, are Anna and Elsa in “Frozen.”

Both, you will recall, bear some mark of the scapegoat — Elsa in her strange powers, Anna in the streak of gray in her hair.  Furthermore, a mutual salvation occurs between them at the end; both are saved from “frozen hearts” (though in different ways).

Hans and ElsaContrast that with Prince Hans, whose way of relating to Elsa (and Anna as well, though in diluted form) shows all of the characteristic signs of scapegoating.  Recall Anna’s comment at the end to the effect that he is the only one with a “frozen heart” in Arendelle.

Original Sin

“Michelangelo Sündenfall” by Michelangelo Buonarroti – http://www.heiligenlexikon.de/Fotos/Eva2.jpgTransferred from de.wikipedia to Commons by Roberta F. using CommonsHelper., 9 September 2007 (original upload date), Original uploader was Nitramtrebla at de.wikipedia. Licensed under Public Domain via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Michelangelo_S%C3%BCndenfall.jpg#/media/File:Michelangelo_S%C3%BCndenfall.jpg

“Frozenness” is very much an effect of the Fall of our first parents.  Consequent upon their initial transgression in the Garden, Adam and Eve’s relationship goes from one of honor and love to one of blame (Gen. 3: 12) and use (Gen. 3: 16).  And of course, blame and use are the sole “stuff” of people’s relationships with their scapegoats.  The latter are blamed for the ills of society, and they are at the same time used for the maintenance of order.

But with “a little bit of love,” as the Trolls would say, this can change.  People go from scapegoats to “fixer-uppers,” and we come to see that in fact “everyone is little bit of a fixer-upper” (emphasis mine).

frozen-happy-endingWe haven’t really spoken much about Elsa’s perspective, so I’ll say this: There are basically two different ways of being that result from the “frozenness” of the Fall, both of which have some foundation in fear and self-preservation.  There is, of course, outright selfishness and ego-assertion, as is the case with scapegoaters.  But there is also the self-centered condition of despair, and this can cause people not only to accept, but to cling to the scapegoat position.

And something like this, unfortunately, happens to Elsa.  She is so discouraged by her “different-ness” that she will not allow herself to be loved…or to love, except in the form of isolating herself against those she fears she may hurt.

Divine_Mercy_(Adolf_Hyla_painting)2007-08-16But Jesus Christ and His angels bring the world this striking message: “Be not afraid.”

Jesus Christ comes to reveal God to us, but He also comes to reveal to us the mystery of the human person.  Consider the Holy Wounds in His hands, feet, and side; He enters into our woundedness, and shines the light of divine mercy upon it.

Thus the God-Man makes it possible for us to see two things: 1) We are all wounded, all “marked” in some way…not just a few isolated “scapegoats”; 2) We do not need to be afraid of this.  God is love and mercy itself, and by His grace, we can find hope and healing — and this will often come through touching others in their woundedness, and making ourselves vulnerable to them in ours.

In her own way, Princess Anna got that…and so should we.

Another way of saying “to end something” is to “let it go,” correct?  I think I’ll let this commentary go with “Let It Go”:

Divine Mercy image from Wikipedia; remaining images obtained through a Google image search

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