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Posts Tagged ‘Ciarán Hinds’

For parts one and two, click here

“Beware the frozen heart.”  That’s the warning of the singing icemen in the opening scene of “Frozen.”  We take that as the theme of this third installment of our analysis.

frozen_trollWe turn to the unlikely “love experts” in the iceman Kristoff’s (Jonathan Groff) social circle: The Trolls.

We meet them at the very beginning, when Anna (at this point a young child) is taken to them for healing after Elsa, with her magical powers, accidentally paralyzes her.  And then we cross paths with them yet again after Elsa (Idina Menzel) accidentally freezes Anna’s (Kristen Bell) heart when the latter tries to get her to return to Arendelle.

Grandpa Troll (Ciarán Hinds) declares that a frozen heart can only be cured by an act of true love.  And if it doesn’t happen soon, Anna will be frozen forever.

anna saves elsaUnexpectedly, it is Anna who saves Elsa by an act of true love.  Prince Hans approaches Elsa on the ice, sword in hand, ready to execute her for the murder of her sister — a verdict that he himself has passed falsely.

Fortunately for her, Anna is on the scene.  She jumps in the way just as the clock runs out; she freezes into an ice statue, blocking Hans’ blow.

Elsa weeps for her sister’s apparent demise; but right on the tail of her tears comes a miracle: Anna “thaws out” and reawakens, her frozen heart fully cured.

The act of true love that saves Anna ends up being her own.

frozen-happy-endingOf course, she saves Elsa as well — and not just from Hans’ blow.  She shows her that true love is, in fact, the elusive key to keeping her powers in check — a key Elsa has longed for her whole life, but has never been able to find.

So now we must explore the $1,000,000 question: What is this “true love” of which Grandpa Troll speaks?

As mentioned in the prelude to this series of posts, love is to will the good of the other as other — to give of oneself for the life, for the happiness, for the good of a brother, a sister, a friend, or anyone.

For human beings made in the image of the Triune God, for whom it is not good to be alone (Gen. 2: 18), love also entails a certain vulnerability to the other.  In other words, the belovéd open themselves up to one another, in some sense becoming part of one another (in the natural sphere this reaches its height in true romantic love, but all forms of love are characterized by this to varying degrees and in different ways).

St. Thomas AquinasOne of history’s greatest commentators on the virtue of love (if not the greatest) was St. Thomas Aquinas.  Writing in the 13th century, he identified four particular effects of love, one of which is relevant to our analysis — namely, the effect of melting

…which is opposed to freezing.  For things that are frozen are … hard to pierce.  (. . .) Consequently the freezing or hardening of the heart is a disposition incompatible with love: while melting denotes a softening of the heart, whereby the heart shows itself to be ready for the entrance of the beloved.

(Summa Theologiae I-II, 28, 5, quoted in Peter Kreeft’s “Summa of the Summa”; bold added)

HansBetrayelAnna makes a shrewd observation at the end of the film when addressing Hans: “The only one around here with a frozen heart is you.”

Indeed, the physical aspects of frozenness (terrible as they are) pale in comparison to the sickness of a truly frozen heart — a heart focused on its own interests and ambitions, closed to the needs and desires of others.  Anna submits herself to the former (at least in a sense — she could have focused on seeking help for herself instead of putting her energy into saving Elsa) in response to the promptings of her “melting heart,” and through this submission even her apparent death by frozenness brings about salvation.

I have a little bit more to say, and then I’m done.  Thanks for reading.

Image of St. Thomas Aquinas from Wikipedia; movie stills obtained through a Google image search

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