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Posts Tagged ‘Lorelei Linklater’

For part one, click here

Patricia_Arquette_BoyhoodFamily life is a mixed bag in “Boyhood.”  An abler commentator could probably offer much deeper psychological, sociological, or spiritual insights; I will limit myself to a few thoughts, which can be divided (with utmost creativity) into these categories: Positive and Negative.

Positives

Mason Evans, Jr. (Ellar Coltrane) and his sister, Samantha (Lorelei Linklater), have the benefit of growing up with loving parents.  They have their responsible and nurturing mother, Olivia (Patricia Arquette), and their fun-loving and vibrantly affectionate dad, Mason, Sr. (Ethan Hawke).  Indeed, the importance of family is underscored all throughout the film.

In fact, at one point, Mason — now age 14 — sits in on one of Olivia’s lectures as a psychology instructor.  She is lecturing on John Bowlby’s Attachment Theory, which highlights the vital role of emotional and physical closeness between parents and their children not only for the children’s well-being, but for the survival of the human race.

Without that tight familial bond, Olivia rightly observes, “we’re doomed.”

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No doubt, the somewhat strained but very real family bond with which Mason grows up contributes to his becoming the young man we eventually meet — kind, open to people, able and willing to learn from his mistakes, and focused on his future.

Negatives

The major “downfall” of Mason, Sr. and Olivia can be easily identified: They had children too young.  And, evidently, they did so without discerning whether or not they were actually meant to be together.  It is not clear whether they had ever gotten married (if I remember correctly); but in any case, they are no longer together, and Mason lives at a great enough distance that he can only see his children every so often.

When Samantha is eight and Mason, Jr. is six or seven, Olivia decides she wants to improve her life and the lives of her children by going back to college.  A laudable choice, but also the beginning of a process that requires the family relocate frequently.  To make things more difficult, mom remarries at least twice — in both instances to men with a penchant for alcohol, and in one instance into a physically and psychologically abusive relationship.

Like I said, we have a pretty mixed bag — and one that seems to reflect the general, overall state of the family in today’s society.

Patricia_Arquette_Boyhood2

Additionally, as kindhearted and as devoted as both parents are, they have no truly profound or comprehensive worldview to offer their children.  This is not unusual nowadays, and by no means am I suggesting that it leads in every case to family breakdown and dysfunction; however, I am convinced that the condition of this particular family would not have come about without this particular deficit.

A  key point — as far as I’m concerned — comes near the end of the film, when Mason, Jr. finds his mother crying at the kitchen table.  Olivia notes a sudden realization that her life has been a mere series of benchmarks.  She has kids.  She gets married.  She gets divorced.  She gets married again.  She graduates college.  She finally gets the job she wants.  Her kids graduate high school…

…a series of incidents, with nothing to connect them all.

“I guess I just thought there would be more,” she observes.

Sound familiar?  It would seem that the aforementioned confusion about life is inter-generational and, in a sense, hereditary.

Having identified the existential angst of both generations, I will explore two particular aspects of it in depth in the next two posts.

Images obtained through a Google image search

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